Part two of a two-part review where the team is joined by Ciaran from The Eurovision Showcase to review the 1979 contest which took place in Jerusalem, Israel.
Part one of a two-part review where the team is joined by Ciaran from The Eurovision Showcase to review the 1979 contest which took place in Jerusalem, Israel.
Hey guys, I know it’s been a while…
I’ve finally come out of hiding and resurfaced in Eurovision land. So I’m writing this blog to kind of explain as best I can why.
Well, a big part of it is that I got really distracted doing other projects. “I’ll organise a podcast next week”, I kept saying to myself. And then that week turned into two, which turned into a month, which turned into three months. And to be honest, I really wasn’t planning to take this long of a break. It just sort of happened that way.
Why was I so distracted doing other projects? Because I felt I needed to. I got severe FOMO being stuck at home during Eurovision week while all my friends were onsite and having fun, so I deliberately looked for something to do once it finished to stave off Post Eurovision Depression. And I have to say that it worked. This was the first time in many years that I didn’t remotely get PED. And I’ll admit, it’s been real nice.
Also, despite being at home, I still picked up a wave of nastiness and negativity from the fandom this year that I felt that I needed to take a “Eurovision vacation” so to speak. I know that the fandom has been increasingly overdramatic in recent years, but I especially felt it really hard this year. When people weren’t making fun of other fans’ tastes in songs, they were being borderline abusive towards the actual artists. Either for not being a rake-thin model or having a rather marmite song and taking out their frustrations on the artist themselves. I don’t even need to name names for you to know which artists I’m referring to. And shock horror, those artists and their respective delegations were rattled by this.
I don’t take negativity well, it’s been well documented for anyone that knows me. I’ve struggled with my own negative thoughts over the last few years as it is without picking up on everyone else’s. And I felt especially bad for those artists because they seem like genuine, nice people who just want to do the things they love and entertain people. They have enough pressure on themselves to perform well as it is without getting hit with a wave of nasty social media comments for what I perceive to be stupid reasons. To me, Eurovision should be a fun and inclusive event, and if this continues, what artists would want to willingly subject themselves to that kind of abuse? The phrase “this is why we can’t have nice things” springs to mind, and hopefully we won’t end up in this predicament in the future.
I’m not saying that a performance/song shouldn’t be criticised, or that we shouldn’t dish out harsh criticism when it’s DESERVED *cough Waylon cough*, I’m just saying that sometimes you can take it too far and what should be constructive criticism devolves into personal insults. And I don’t know about you guys, but that’s not cool in my book.
Anyway, I’m not saying that I’ve lost interest in Eurovision or that I don’t want to be a part of the community anymore (because to be honest I personally HATE it when people bleat on about that and I don’t want to be one of those people), but I will admit that this deliberate exile from Eurovision land has been really good for me. I hope you understand.
I don’t know if I’ll be able to get the funds to go to Israel next May, but I hope you guys don’t see my opinion as worthless because I’m stuck at home, because that’s how I really felt earlier this year and it really sucked.
I don’t know when the podcast will be back, but hopefully we can organise at least one before JESC comes along. And hopefully I’ll be back in full festive “yay Eurovision!” mode by then.
With love, Kylie x
The team mull over the final results a couple of days after the show, and they’re still recovering from the sheer madness of it all.
Olá! This is it, it’s the big finale. The final jury rehearsal is done, half of the final scores are now decided. So now, it is time for the team to sit down and lay down their cards for what they think the final outcome will be…
Olá! It’s that time of year again. The second jury rehearsal has been done and dusted, and now it’s time to bite the bullet and try and deduct who’s going to be getting a flight home tomorrow.
John was in the arena for the jury rehearsal, and Kylie is making her predictions based on rehearsal footage and word from reliable sources on the ground. Will that affect their accuracy in picking our ten qualifiers? Let’s find out…
Olá! It’s that time of year again. The first jury rehearsal has been done and dusted, and now it’s time to bite the bullet and try and deduct who’s going to be getting a flight home tomorrow.
Neither of the team saw the TV feed and are making their predictions based on rehearsal footage and word from reliable sources on the ground. Will that affect their accuracy in picking our ten qualifiers? Let’s find out…
The fifth of five shows reviewing the songs competing in the 2018 Eurovision Song Contest. This week, we have Ricky Calder, aka WeAreEurovisiun joining us as our fifth special guest judge as we look at the Big 5 and this year’s host country Portugal.